It’s no surprise that Hulk Hogan’s film career never really took off. The only lines he can deliver convincingly are the ones that don’t require any eyebrow movement. Even Arnold Schwarzenegger was able to make good comedies.
But sad to say, I’m not sure Schwarzenegger could have saved this one either. Though, he would have made it a little bit more funny.
The film is doomed from the start. The script is awful. There are plot holes you can drive a train through, and the dialogue is cringy–containing unique lines such as, “See ya! Wouldn’t wanna be ya!” and “‘Never turn your back on someone in need.’ A friend of mine once told me that.” Also, it builds up speed slower than my ’88 Volvo on the freeway. You start looking at your watch a mere 15 minutes into it. Luckily though, if you stick around long enough it gets slightly better I suppose.
The movie follows Blake (Hogan), a rich and selfish millionaire who gets hit on the head and wakes up thinking he’s Santa Claus. He has a sudden urge to help out an orphanage in danger of being closed down illegally.
It’s a clever concept full of potential, and actually has some glimpses of brightness shining through. But it fumbles most opportunities it has to be better, often choosing silliness over quality.
It’s one of those films where they give the strong protagonist all kinds of unrealistic powers, like the ability to throw a grown man over a 7-foot fence. It’s so ridiculous. I guess we have to remember it’s a movie targeted at children.
But then, why are there cops shooting RPGs at a car during a high-speed chase?
Also, what was the artistic decision to have it set in California rather than a snowy city? That simple change would have made it a lot more Christmasy.
Still, it has a touch of unexpected science fiction and some interesting twists that have pretty much no business in a film this poor, making it end up being way better than it starts out. Unfortunately, before these things come into the story, most viewers will have likely stopped watching already.