Buffy the Vampire Slayer isn’t a bad movie. It just often operates in a very medial area where it’s neither bad nor necessarily great.
Touch of Evil (1958) | Movie Review
Considered by many as the last ’50s noir, Touch of Evil delivers in more ways than one.
Parasite (2019) | Movie Review
Parasite is a dark comedy, but also a very poignant and frank depiction of the realities of our capitalist society.
American Honey (2016) | Movie Review
There’s so much good that could’ve come out of 2016’s American Honey. It’s a modern day road film that would…
Son of Frankenstein (1939) | Movie Review
1939’s Son of Frankenstein is the final installment of the original Universal Monsters Frankenstein series featuring Boris Karloff as the…
The Man Who Knew Too Much (1956) | Movie Review
Despite its only real nagging issue, The Man Who Knew Too Much is a lot of fun.
Dolemite Is My Name (2019) | Movie Review
It’s that very dichotomy that makes Dolemite Is My Name so bizarrely unique, much like its subject.
Creature from the Black Lagoon (1954) | Movie Review
The tight narrative and brisk runtime is still a bit slow by today’s standards, but Creature from the Black Lagoon stretches its thin premise nicely.
Zombieland: Double Tap (2019) | Movie Review
Zombieland: Double Tap meshes further into the post-apocalyptic universe, while perfectly standing on its own as an excellent movie.
Rear Window (1954) | Movie Review
Not that Rear Window doesn’t give us a spectacular ending, because it does. But what the film has to say remains on the fence between two opposing sides.
