Melanie Griffith, as Billie Dawn, executes the role with such integrity. So convincing as she makes the film hers. But as a film, it just doesn’t fit in well with the era. It feels as though they lifted a 1950 film and forced it to fit into 1993. They tried making a non-90s film but didn’t pull out all the stops–or any stops, really. It just felt unexplainably awkward during most scenes.
However, the film wasn’t intrinsically bad. It was actually quite enjoyable. The characters are likable, the themes are sincere, and the dialogue is snappy.
A lot of the time it even overcomes its sloppy direction and confused narrative, but those faults are never forgotten about and a few times distracting. The setup is on the border of boring and the tone is intermittent. It also never fully commits to any of its antagonists, and even slips up a couple of times with Don Johnson’s character, Paul.
Born Yesterday is one of those films that is enjoyable and possibly forgettable at the same time. It means well, but could have been a better remake. And although I wouldn’t necessarily recommend it, I wouldn’t be against watching it again.
Twizard Rating: 73