While this is a film that feels very dated, it doesn’t lack quality. Other than a setup that drags on forever, there isn’t too much wrong with this film. With that said, there also isn’t anything that makes it stand out from the pack either. Although it’s technically sound, it doesn’t have many traits that prevent it from being forgettable. The story may have been somewhat unique for the time period, but it’s not told in the grandiose fashion that we have become accustomed to in this era of film.
Henry Winkler and Shelley Long hold their ground pretty well here, but the highlight of the film is Michael Keaton who really keeps the film moving. You can’t take your eyes off of him, whether you like his character or not.
This is a great effort by Ron Howard and not a film that most people will hate, as it also gives us solid character development–especially with Winkler’s character. The script is acceptable and the music is a great mark of the times. While the characters in this film are very often stressed out and distraught, Night Shift brings you back to a much simpler decade.