As a fan of Roald Dahl as a child, The BFG has always been one of the books I’ve most wanted to see adapted for the big screen.
Based on the children’s novel of the same name, The BFG is about a giant (Big Friendly Giant) who takes a girl from her orphanage and brings her above the clouds to Giant Country, out of fear that she will tell people about him. Although he’s “friendly,” his larger contemporaries aren’t. They bully him and feast on human beings.
There are some points in the film where you aren’t quite sure how the story is progressing. It meanders a bit during the 2nd act and the pacing can get pretty slow, but it’s not so much of a bother since there is so much to enjoy visually and the scenes are so dense.
While not quite as dark as the book, the imagery still translates well. The CGI isn’t just there. Rather, it’s as much a part of the film as the story itself. If the visuals were less impressive, the movie just wouldn’t have worked as well.
Part of what makes the film so enjoyable is the charisma of its two leads. Mark Rylance plays the title character, and newcomer, Ruby Barnhill, reminiscent of Drew Barrymore in E.T., plays the little girl, Sophie.
The BFG’s job in life is to collect dreams and give them to people. The events in this film feel like a dream from a child’s perspective. Having nobody in life and turning to a seemingly-imaginary character for friendship.
Luckily, the last third of the film elevates in a wondrous way. Things begin to happen and the story becomes full and complete. Director, Steven Spielberg, has a way of wrapping things up like no other. While the brief hiccup halfway through the film–though not really his fault–is uncharacteristic of his films, the ending reminds us why he’s the best.
The vision of The BFG is magical. There’s no other way to put it. It doesn’t just offer some fairytale story masking, for children, the harsh realities of the world. Instead, it shows them that there’s hope–no matter how impossible it may seem.