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The Twizard

Ethan Brehm

  • ‘Past Lives’ Didn’t Win the Oscar for Best Picture, But It Should Have
    March 10, 2024

    ‘Past Lives’ Didn’t Win the Oscar for Best Picture, But It Should Have

    Ethan Brehm
  • ‘Beau Is Afraid’ Is a Gripping Yet Obtuse Odyssey
    March 9, 2024

    ‘Beau Is Afraid’ Is a Gripping Yet Obtuse Odyssey

    Ethan Brehm
  • Rome, Open City (1945) Is Anti-Nostalgia During Cinema’s Golden Age
    February 23, 2024

    Rome, Open City (1945) Is Anti-Nostalgia During Cinema’s Golden Age

    Ethan Brehm
  • ‘Maestro’ Might Not Be the Leonard Bernstein Biopic You Want, But at Least It’s Not Misleading
    February 17, 2024

    ‘Maestro’ Might Not Be the Leonard Bernstein Biopic You Want, But at Least It’s Not Misleading

    Ethan Brehm
  • Disney’s ‘Wish’ Is More of a Vague Optimistic Message Than an Actual Movie
    February 7, 2024

    Disney’s ‘Wish’ Is More of a Vague Optimistic Message Than an Actual Movie

    Ethan Brehm
  • ‘Killers of the Flower Moon’ Is Long But Has a Worthy Payoff
    January 28, 2024

    ‘Killers of the Flower Moon’ Is Long But Has a Worthy Payoff

    Ethan Brehm
  • Baby Face (1933): The Pre-Code Classic Paints the Difference Between Like and Respect
    January 25, 2024

    Baby Face (1933): The Pre-Code Classic Paints the Difference Between Like and Respect

    Ethan Brehm
  • ‘No Hard Feelings’ Is a Standout Comedy with a Misguided Final Act
    January 17, 2024

    ‘No Hard Feelings’ Is a Standout Comedy with a Misguided Final Act

    Ethan Brehm
  • ‘Dream Scenario’ Rambles Beautifully in a World That Lacks Diversity of Thought
    January 16, 2024

    ‘Dream Scenario’ Rambles Beautifully in a World That Lacks Diversity of Thought

    Ethan Brehm
  • Dashing Through the Snow (2023) Is a Cute Yet Incompetent Christmas Movie
    December 22, 2023

    Dashing Through the Snow (2023) Is a Cute Yet Incompetent Christmas Movie

    Ethan Brehm
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